Category Archives: Motherhood

Child of the Giant Corn

Corn, tomatoes and cucumbers give all Ohioans a reason to live through the muggy muck of August. And it took Declan no time at all to learn to love the food of his ancestors (his great grandfather and great-great Uncle were once the Grand Marshalls of the Millersport Sweet Corn Festival).

He went absolutely wild at the Field of Corn in Dublin the other day, surveying the giant kernels up close, and running, running, running through the rows of ears.

Imagine this from the perspective of a 3-foot-tall person.

Ohio State has an extensive site about corn, including a monthly podcast about conditions for growing corn.

That other state that begins and ends with a vowel and is also known for corn has its own Corn Cam.

Life soundtrack: Earl Scruggs & Lester Flatt, Foggy Mountain Jamboree, “Shuckin’ the Corn”
Earl Scruggs & Lester Flatt - Foggy Mountain Jamboree - Shuckin' the Corn

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Dark & Elegant Matters

[youtube=http://www.youtube.com/watch?v=LaKqejeuVcc]
(Note: this video is longer, and of a higher quality, so it may take some time to load.)

We found this huge book on the Cosmos at Borders a few weeks ago. High atop a display of discount outer space books, Declan asked me to get the “Bero Galaxy book.” For those of you who, like me (before I had a space-obsessed child), would have no idea what that might mean – it’s a book with a picture of the Sombrero Galaxy on its cover. Filled with huge images taken by the Hubble and Spitzer space telescopes, as well as various other spacecrafts, he was excited to see things he loves, like the Galilean moons of Jupiter, in such detail.

And he stunned me a bit by identifying not only the things I knew he knew, but by saying things like “oh, these are the train wrecks,” when I turned to the page that showed distant galaxies colliding with one another. He can also identify many planets and moons in our solar system by their surfaces – the volcanoes on Mars, the pock-marks of Mercury – and the long arms and glowing cores of several different galaxies. His father and I are confounded by this on pretty much a daily basis, and grateful to be learning that we are even tinier specks in the universe than we ever thought possible.

“That is a really good space book,” he told me confidently after we spent 10 minutes on the floor of the bookstore, flipping through and talking about the pictures.

His favorite thing to watch lately has been the Nova special The Elegant Universe, about string theory. I have watched this with him at least two or three times now and much flies over my head. Declan likes me to watch it with him and explains some of the basics to me: “It’s everything, mommy. It’s everything.”

A few days ago, a young pregnant woman flirted with Declan in the grocery line. He peered around the shopping cart at her, sweet and shy. She waved at him and said “Hi there! How old are you?”

This is a question people ask him all the time, but he doesn’t seem all that interested in answering or even knowing the answer.

I leaned over to him and said, “can you tell her how old you are? Do you know you are two? Can you say ‘I’m two?'”

He looked right at her and said “It’s an elegant universe.”

She looked at me curiously and I interpreted. “He said ‘it’s an elegant universe.'”

She looked pleased and surprised as she touched her belly.

“He has a lot of answers about the big things,” I offered. “Details like his age – not so much.”

“Who needs to know they’re two when they know that?” she said, then she leaned down and looked right at him. “I hope you keep thinking about the big things and the elegant universe for a long, long time. I hope you don’t forget them when you get older.”

Life soundtrack: The Elegants, Little Star: Best of The Elegants, “Little Star”
The Elegants - Little Star:  The Best Of The Elegants - Little Star (LP Version)

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Forget your blues

Dan played blues riffs on his guitar in the living room this morning, vamping lyrics about Barry Bonds. Declan started dancing on arrival.

He does a lot of dancing these days. A couple of weeks ago, he romped with lots of wet toddlers and their drenched stuffed animals at the Columbus Symphony Orchestra’s “Teddy Bear Picnic.” The evening ended with a puddle-splashing riot, led entirely by people too small to ride on roller coasters.

This past weekend, he put his whole heart into a jig at the Dublin Irish Festival, which had organized a massive (10,000+ person), 3-minute jig to try and take back the world record for dancing without arms from Dublin, Ireland. I have no idea if they made it, but Dec did more than his part.

Mostly, we just have to play music around the house to get him started. His tastes are already becoming as eclectic as ours, and perhaps veering into territory even we are unaware of. He’ll throw down for rock, spin for classical, bounce for pop, wiggle for reggae, or sway his head from side to side for blues and jazz, like he did this morning.

“Gimme some skins,” Dan said to Dec, who obliged with a high-five. “Let’s play the blues.”

“No. Let’s play the reds,” Declan answered.

Life soundtrack: Billie Holliday, The Incomparable, Volume One, “I’m Painting the Town Red”
Billie Holiday - The Incomparable Volume 1 - I'm Painting the Town Red

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Good time to be a boy

I barely blinked before buying The Dangerous Book for Boys by Conn & Hal Igguiden when it popped up on my recommended list at Amazon earlier this year. I hid it in a shirt drawer for at least two weeks, alongside a copy of Where’s My Jetpack? by Daniel H. Wilson. Then I proudly unveiled the tome, packed with boyhood rites, obsessions and tales, to my husband on Fathers’ Day. (It’s retro, red cloth-bound cover and 19th-century gilded font were brilliant marketing devices.)

According to last week’s Time Magazine, plenty of people joined me in buying that book, which remains a best-seller. David Von Drehle’s cover article “The Myth About Boys” makes the argument that this rekindling of the traditionally magical parts of boyhood – from tying slip knots to knowing the story of the Alamo – means that now is a very good time to be a boy. Apparently, there are (pretty pricey) summer camps devoted to creating outdoor spaces that are essentially safe, but allow lots of room for boys to play, explore and feel some sense of danger. And that’s actual danger, not Nintendo danger.

It seems as though Drehle first dismisses some of the ideas in books like Raising Cain and Real Boys – books that profoundly question, if not indict, the ways our culture raises boys – as alarmist. But he later comes to embrace some part of those notions too, because the cultural dialogue about boyhood and masculinity ultimately benefits boys. This is a conclusion that I can agree with – I am glad to have so many ideas and opinions out there to consider.

I still resist it when anyone tries to define Declan’s actions or personality as somehow definitively or traditionally “boyish.”

I’ve seen toddlers of both genders push boundaries, dig in the dirt and splash through mud puddles. Maybe it’s because we’ve been lucky enough to keep him at home (away from the competition of daycare) for these first two years – not to mention the fact that he’s an only child – but so far, his nature seems very gentle. He fearlessly approaches kids of all ages out in public, especially girls, looking them in the face and saying things like “you have blue eyes.” (Eye color has been his favorite thing to observe about people lately.) But he also cracks up and slaps his knees when he sees older boys doing playground slapstick. He obsesses about outer space and loves to throw a ball, but he’s also an awesome dancer, puzzle-doer and snuggler who often declares himself “scared of bugs” and is thrilled if he gets to teach a grown-up something new.

I worry about the expectations future teachers, friends, family and acquaintances might give him about being male, particularly if they happen to quash any part of his ravenous curiosity or chastise his sensitivity by dismissing it as feminine. Sheltering him from people and experiences wouldn’t be particularly helpful, but I hope I can help him develop the strength to face all of it with the kind of assured innocence he possesses today.

Life soundtrack: The Shirelles, The Scepter Records Story, Vol 1, “Boys”
The Shirelles - The Scepter Records Story, Vol. 1 - Boys

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Funderstorms

We all woke up in the middle of last night as the house got a good shake or two from passing thunderstorms.

“It’s a funderstorm,” Declan told us, confidently.

For some reason the weather made him very alert at three in the morning. He requested that he be able to play with a puzzle, take a purple bath, watch “Little Einsteins” and see the moon. The three of us opted to drink tea, sit by the window and look out at the rain together, trying to explain why “funderstorms” obscure our lunar view.

When I complained that I was hungry, he asked me for a “shiny red apple.” We went to the kitchen and cut one up for him. Before I could get something else for myself, he made me take a bite of one of the slices.

“Is that better, mommy?” he asked me.

In that moment, he reminded me so much of my little brother, Andy, who possessed that breed of kindness from his earliest days as a blonde-haired moppet. Lately, he I get those childhood reminders on lots of days, like our visit to Inniswood park earlier in the week, when I had to swoop Declan up into my arms to stop him from picking a flower for me.

Life soundtrack: Eddie Rabbit, All Time Greatest Hits, “I Love a Rainy Night”
Eddie Rabbitt - Eddie Rabbit: All Time Greatest Hits - I Love a Rainy Night

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This is your brain on drums

Once or twice a week, Declan and I sit down in front of an old video of Fantasia 2000, raise our arms and wildly conduct Beethoven’s Fifth Symphony together. He has a great memory for instrumental music, and can hum along with several popular classical melodies, thanks to nap-inducing car rides with WOSU FM on and Classical Baby.
A couple of weeks ago, we went out on a family day trip and stopped at one of those nondescript Max & Ruby’s Apple G. I. Friday’s places to eat on our way home. As we noshed on completely uninspired cuisine, Jimi Hendrix’s “Purple Haze” played and Declan danced in his high chair, flapping his arms and bouncing his head to one side in time with the music. Something about straightforward rock and roll really winds him up. I put on David Bowie’s Aladdin Sane for him a few nights ago and it took about 20 seconds of “Watch That Man” before he started dancing around the living room.

There are a lot of studies out there about music and the brain that look at the links between music and how we develop intellectually, cognitively and emotionally. Along those lines, there is also an interesting article published on Salon this week: Joseph LeDoux’s Heavy Mental. A neuroscientist, he has a lot of interesting things to say about our bonds to music, and the ways our brains become chemically accustomed to certain emotional reactions, based on experience and genetics.

What’s inspiring is that he is so optimistic about our capacity to change, no matter how ingrained bad habits might have become. This is a relief to me, I often wake up at night, wondering if even the things that seem so positive about the way I parent could be causing unrealistic expectations and future pain for Declan. A reminder that nothing has to be permanent – that I don’t have to be perfect – is comforting.

LeDoux has founded an “Emotional Brain Institute” at NYU to promote the study of emotion, from the scientific perspective, but also through the lens of the arts and humanities, law and business. Thank heavens for these kinds of scientists, who, in the midst of insane political times, still have the capacity to try and look at ways that we can all, as humans, be and do better.

Life soundtrack: Steve Forbert, Alive on Arrival, ” Thinkin‘ ”
Steve Forbert - Alive On Arrival - Thinkin'

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“You’re Already Home”

For some reason, this emerged as Declan’s chosen mantra on the final night that Little Brother’s was open. He pointed at several different people, leaned into me and said, “he’s already home, mommy,” nodding, often putting his hand on my cheek and adding, “we’re already home, mommy.”

On Sunday afternoon, my mom and I were part of the wrecking (or, more accurately, preservation) crew at Little Brother’s. She managed to pry out a painting that covered the fireplace – a phoenix with the word Stache’s that painter Dan Work made there years ago. With some help from friends who came by, we also managed to bring down the Elvis, Billie Holliday and Karen Carpenter paintings that used to be the bathroom walls at Stache’s. Not to mention the bird painted on diamond-shaped plywood from the wall next to the sound board that used to cover one of the front windows at the old place. I took enough pictures of the dressing room, which was filled with fairly historic fliers from both clubs, to hopefully reconstruct the room in a photographic collage.

One of Dan’s doormen climbed a ladder and took down the Little Brother’s sign. We loaded it, and some odds and ends, including a life preserver that said “Save our Stache’s (and Little Brother’s)” into the trunk of my car.

Then I went to a friend’s house to pick up Declan.

“Oh mommy!” he said when I walked in the door. “You’re home! You’re really, really home!”

Dan spent a long night and extra day clearing out the place and cleaning. By Tuesday morning, the last few straggling tools were gathered, and the locks on the building were changed.

Meanwhile, Declan’s continued his monologues about the galaxies as well as random declarations, including “all aboard the choo choo train” and the old standby “just the right SPEED, just the right ANGLE” (which he chanted alone while practicing somersaults on the upstairs futon the other afternoon). Last night, the three of us sat around the dinner table at 6:30, which seemed awfully strangely normal.

In these first couple of days in this new life, the mantra keeps coming, usually while we’re sitting together, reading a book or watching TV: “Mommy, daddy, are you home?”

It’s been exactly what I’ve needed to hear.

Life soundtrack: Chris Smither, Leave the Lights On, “Leave the Light On”
Chris Smither - Leave the Lights On - Leave the Light On

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The understanding of bliss


All weekend long at Comfest, this arch of rainbow balloons tormented Declan. The allure of the rainbow seduced him across crowds. It would catch his eye and off he’d run. Held down by two supposedly empty helium canisters, it was treacherous to toddler parents who knew that looking at the spectrum really wasn’t enough for little ones. They want to stand beneath it, to touch it if at all possible, and you’d just have to hope that you caught them before they pulled on the ribbon that held it all together and rolled the metal canisters right over their feet.

On Sunday night, the arch was attached on one end and sagging lower to the ground on the other. Declan ran in circles beneath the limp side and Dan brought it down to him. Soon, an entire gaggle of toddlers was running directly underneath the rainbow, or wedging themselves into sections where everything in their world became blue, or in Declan’s case, orange (pictured above). The laughter was infectious and constant – the most contagious display of unabashed childness I have ever seen.

But for some reason – I think maybe an older kid down the row started popping some of the balloons – the woman who had blistered her hands making the arch came up the row, upset and yelling “Let it go! This mine, get off of it now!” to, well, a lot of people who were under five years old. Even though there was less than an hour or two of daylight left in the festival, and the helium arch was flagging, she scolded Dan to let the balloons go, claiming he was preventing all of the other children from enjoying it.

This is the place where parents and people without kids often part ways. I know that before I had Declan, there were certainly times when I would have been on that woman’s side of the divide and wondered what in the hell we, as parents of wild, balloon-crazed giggle monsters were thinking. I know that I’ve put shiny objects in front of more than one little person in my time and wondered why there seemed to be no way to get them to leave it alone. If I’d put in the work that she did, I also might be too attached to watch my work destroyed, even though the arch’s death was clearly inevitable.

When a little child is one of the people you are closest to in life, and you accept their essence – their ability to sustain a state of joy – you know that there is absolutely no way that simply looking at an arch of balloons can compare to the unadulterated bliss those children had when they could run beneath, around and over them – how often do you get to touch an actual rainbow? Regaining a closeness to that simplicity is one of the most precious things about parenting a toddler, and you can often see a nostalgia for it on the faces of parents who have been there.

So I’m grateful to the woman who made the arch, I just wish that she had been able to experience some of that joy along with us.

Life soundtrack: Willie Nelson, Rainbow Connection, “Rainbow Connection:
Willie Nelson - Rainbow Connection - The Rainbow Connection

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